SugarSync Redesign

Over the past year we have been working hard at SugarSync on a complete redesign of the products and service. I started with an identity redesign–which rolled out in February–and the work on the desktop, mobile and web apps is due to launch (public beta) in mid November.

I will be adding many more posts and screen shots of the work as soon as I can after the press launch. In the meantime here is one of my designs for the (marcom) website.

Website image 02

Website image 03

Website image 04

Halloween!

Halloween Turnip Lantern

(Early 20th century turnip lantern–just like I used to make!)

From Tam O’ Shanter by Robert Burns

Warlocks and witches in a dance:
Nae cotillon, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He screw’d the pipes and gart them skirl,
Till roof and rafters a’ did dirl. –
Coffins stood round, like open presses,
That shaw’d the Dead in their last dresses;
And (by some devilish cantraip sleight)
Each in its cauld hand held a light.
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes, in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a rape,
Wi’ his last gasp his gabudid gape;
Five tomahawks, wi’ blude red-rusted:
Five scimitars, wi’ murder crusted;
A garter which a babe had strangled:
A knife, a father’s throat had mangled.
Whom his ain son of life bereft,
The grey-hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name wad be unlawfu’.
Three lawyers tongues, turned inside oot,
Wi’ lies, seamed like a beggars clout,
Three priests hearts, rotten, black as muck,
Lay stinkin, vile in every neuk.

More about this poem…

SugarSync desktop app: promotional dialog

One dialog at a time…

The many, many dialogs that underpin an application like SugarSync can seem, at times to be the very essence of the designed experience. They guide, reassure, inform, sell, etc. enabling customers to make the most of this high productivity app.

All the universal rules apply to dialog design–restrictive canvas, end user prejudice, technical limitations, ever-shifting UX models, varying platform/purpose, etc. This is a microcosm of screen design that requires all the skills at a designer’s disposal.

Here’s what I’ve learned: if you make your dialogs consistent, inviting, simple, engaging, satisfying, considerate, comprehensible and ultimately very useful they will not get dismissed as unnecessary UI noise.

Here are some on-boarding dialogs from our desktop app installation flow:

Dialog 02 for desktop app

Dialog 03 for SugarSync desktop app

Holiday Reblog

Thinking about the holidays again – already! Originally posted on Anne’s blog, 12 February 2012:

We spent a wonderful three weeks back in Blighty over Christmas and New Year – from London to Okehampton to Edinburgh to Newton Stewart and Glasgow for the day – visiting our family and friends. Managed to fit in some shows at The Fruitmarket Gallery, Scottish National Gallery of Modern Art, The Dean Gallery, CCA, TATE Modern, Gagosian and Seventeen Gallery but my favorite experience was Martin Creed’s Work No.1059… here is the original post →

 

Intermedia meeting at the Art Gallery of Greater Victoria

Ruins in Process

Ruins In Process: Vancouver Art in the Sixties is a research archive and educational resource that brings together still and moving images, ephemera, essays and interviews to explore the diverse artistic practices of Vancouver art in the 1960s and early 1970s.

The images on this website are amazing, it’s almost as if they’ve been invented or staged rather than actually dating from the era.