Ex Libris

Screen grab of a hand/arm and a chicken

Some choice words from the pundits that I’ve posted, shared, pointed to, quoted, and enjoyed.

Below is a combination of design-specific commentary, some useful insights and inspiration.

There is so much written these days, on a multitude of platforms and outlets–it’s how some designers build careers after all–but as someone recently pointed out objectivity and actual design criticism in relation to tech products is pretty much non-existent. Work is almost always being discussed from a designer’s perspective and often by someone with interests directly connected to what is being examined.

Anyway, here are my indulgences:

The Art of Designing With Heart

How to make useful, friendly software for real people.

SUPERSTUDIO

We all know about the revolution of the 60’s and we are familiar with terms like “youth activism,” “student protests” and “children of the revolution” – but are these phrases of the past? Where is this happening today? Are we becoming lazy or just revolting via taps of our iPhones?

Making a case for letter case

A little thing like capitalization can be a big deal.

10 Icons of Brutalist Architecture, from the Breuer to the Barbican

With béton brut (“raw concrete”) as its namesake and primary material, Brutalism initially surfaced in the middle of the 20th century, in part as a quick, economical solution to the urban destruction wrought by World War II. At first centered in England, the style spread across the world in the following decades, proposing a radical new form of Modernism, steeped in socialist ideas, that embraced hard lines and a utilitarian lack of ornamentation. Long reviled but recently revived, Brutalism is nothing if not striking, with its heavy, imposing buildings that privilege function over form. Here are 10 of the world’s most iconic examples of the style.

Mobile First: Insights from going mobile only

Joe Toscano spent a month without a computer. Here’s what that experience taught him about mobile-first best practices.

Goodbye, etc: why the UK government will stop using Latin abbreviations online

Software for the visually impaired often has trouble with ‘eg’, ‘ie’ etc – ergo gov.uk plans to phase them out.

How to Support Design Decisions Through Iterative Testing

A while ago I was tasked with designing new features for a client’s data-rich web app. The requirements came from business analysts who, together with the product owner, would talk to the client’s product manager and discuss the features that needed built.

8 principles of bot design

Despite plenty of excitement it’s still unclear how conversational UIs can be made to work in a practical sense.

Complexion Reduction: A New Trend In Mobile Design

We have been living in a world of ‘clean and minimal’ for quite some time, so what’s next?

A designer’s guide to Parkinson’s Law of Triviality

What to do when your team is focused on unimportant details.

The London Underground’s Iconic Typeface Gets A Redesign

Monotype overhauls Johnston, the official font of the London Underground, for the first time since 1979.

How to choose the right UX metrics for your product

When designing for the web, you can analyze usage data for your product and compare different interfaces in A/B tests. This is sometimes called “data-driven design”, but I prefer to think of it as data-informed design — the designer is still driving, not the data.

Instagramin’

Some of my recent posts from Instagram — I’m focussed on selecting inspirational imagery rather than camera uploads…

Photographic mage of a hand

#BrunoMunari

 

Matta-Clark: Building cut-outs, NYC

#MattaClark

…philosophical instantiations probing a range of ideas—site-specificity, the ephemerality of art, presence and absence, life and death, being and nothingness and on and on and on—they also, in hindsight, seem to be about the texture of New York City as it was then. – STATION TO STATION

 

Android close-up from Metropolis
#FritzLang

 

Still from the film Solaris

#Solaris – BWV 639

 

Scene from Orson Welles' The Trial

The Trial (1962)
#OrsonWelles #Kafka

 

Portrait-Egon-Schiele

#EgonSchiele

 

Profiles of Scottish band, Josef K

#JosefK

 

Julie Christie, still from "Petulia"

#JulieChristie “Petulia”
‘…set against the mid-sixties San Francisco scene’

TART installation views

TART 2014

The artist Duncan Campbell has just been shortlisted for the Turner prize. Anne gave him his first US show at TART in 2005.

Duncan Campbell’s film “Falls Burns Malone Fiddles” draws out the processes whereby people do nothing and something happens. It is a sort of aesthetization of everyday existence visible in the hairstyles, the fashions and aspirations of the moment…

Update: Campbell won the 2014 Turner Prize!

As TART was conceived to exist for no more than 3-4 years (our first show was in 2004 our last, 2008), the website I designed has become the space’s primary archive.

TART screen 01

TART screen 02

TART screen 03

The Shape of a Pocket

Anne’s work reached new heights at the beginning of the year with a stunning, commissioned exhibition for the Mills College Art Museum.

With screens set amongst paper rock sculptures, Colvin’s newly commissioned three-channel video installation A Granite Note creates a haunting call and response refrain using abstracted visual and sonic fragments of boats, flowers and pipers that extend and shrink the chasm between time and image.

Installation view

Installation view

Installation views.

Avalanche magazine covers

Artist Magazines + Ephemera

Saw some great works in this show at 871 Fine Arts in SF – here’s an excerpt from the curatorial statement:

It’s really difficult to successfully show printed works as opposed to strictly visual works of art in a gallery setting. You either have a choice of showing the cover or opening up to an inviting interior page, leaving the rest unseen. It’s the same whether you’re showing artists’ books, periodicals, exhibition catalogs, correspondence or other published ephemera. They are best perused in a comfortable position, at ones leisure, thumb to page. That said, printed matter is an integral part of a comprehensive artistic experience and a highly interesting aspect to boot. So despite the drawbacks of display, the attempt to highlight these materials goes on, and from my viewpoint, it is most welcome…

 

Cover image from Spanner NYC (with green highlight)

 

Bronze brutalist sculpture

 

Artist ephemera